Barack Obama’s Favorite Books of the Summer

Abundance

In this probing treatise, New York Times columnist Klein (Why We’re Polarized) and Atlantic staff writer Thompson (Hit Makers) explore the legislative bottlenecks hampering progress on housing, infrastructure, and clean energy, among other pressing issues. Zooming in on San Francisco to explore the nation’s housing crisis, the authors explain how onerous zoning restrictions limiting the number of units developers can build per lot constrain housing supply growth, while a law requiring the government to prioritize small businesses when granting contracts means developers must wait until one of the few qualifying companies has availability. Effective governance necessitates cutting through red tape when it proves overly prohibitive, Klein and Thompson contend, citing how Pennsylvania governor Josh Shapiro restored a collapsed section of I-95 in 12 days, instead of the many months initially expected, by issuing a declaration of emergency that enabled the state to waive such time-consuming requirements as a bidding process and environmental impact statement. Elsewhere, the authors lament how caps on H-1B visas are limiting immigration of the highly skilled foreign scientists and mathematicians who have historically helped drive American innovation. Klein and Thompson are, by their own admission, more interested in diagnosing problems than outlining solutions, and while this feels like a bit of a cop-out, the remarkably unstuffy discussions offer as lucid an explanation of contemporary legislative quandaries as readers are likely to find. Policy wonks will rejoice. (Mar.)

Audition

Kitamura (Intimacies) serves up a taut and alluring novel about a mysterious relationship between a middle-aged woman and a young man. The unnamed narrator, a well-known theater actor, meets Xavier at a restaurant in New York City. Their first meeting took place two weeks earlier, and the woman doles out sparse and subtle clues in her narration, comparing her lunch with Xavier, now a college student, to one she had with her father in Paris. Kitamura keeps the reader guessing as to whether the characters are mother and son, lovers, or something else. Shortly after the lunch, Xavier becomes more involved in the narrator’s life, working as an assistant for the director of a play in which the narrator stars. She reflects on her ambivalence toward motherhood and the long-ago miscarriage she had with her husband, Tomas, after which she had a series of affairs. About Xavier, the narrator is secretive not only with the reader but with Tomas, and his suspicion that they’re having an affair threatens their marriage. In the novel’s second half, Kitamura further complicates the narrator and Xavier’s murky relationship. Throughout, she succeeds in creating a complex and engrossing portrayal of her characters’ blurry boundaries. Readers won’t be able to put this down. Agent: Ellen Levine, Trident Media Group. (Apr.)

The Book of Records

Thien (Do Not Say We Have Nothing) delivers a stimulating if diffuse novel about migration and storytelling. It takes place in a magical realm called The Sea, where time and space seem to have collapsed. Lina, 7, and her father arrive here as refugees from their home city of Foshan in what was once China, and encounter fellow displaced people from around the world. As they wait for the rest of their family to join them, Lina and her father reread the three books they fled with—children’s biographies of poet Du Fu, philosopher Baruch Spinoza, and historian Hannah Arendt. At 10, Lina meets their neighbors Jupiter, Bento, and Blucher, who know an uncanny amount about Du, Spinoza, and Arendt, and hail from those three thinkers’ respective times and places. Thien alternates Lina’s story with lengthy biographical passages devoted to the three historical figures. In the present, Lina, her father, and their new friends pass their days discussing history and philosophy, sharing stories, and searching for meaning (“What we call now has no solidity,” claims the Arendt-like Blucher, prompting Lina’s father to respond, “Maybe imagination is a way to find that place”). Thien hints intriguingly at deeper themes of grief and interconnection, but they’re left underdeveloped. There’s much here to admire, but it doesn’t quite hang together. (May)

The Buffalo Hunter Hunter

Bestseller Jones (I Was a Teenage Slasher) astonishes in this ingenious, weird western reimagining of the vampire tale. In a frame narrative set in 2012, academic Etsy Beaucarne learns of the discovery of a 1912 manuscript hidden in the wall of a Montana parsonage, written by her great-great-great-grandfather Arthur. Within lies Arthur’s transcription of the personal history told to him during confession by Good Stab, a Blackfeet warrior. Decades earlier, Good Stab was bitten by a being he refers to as “the Cat Man,” a caged, feral creature transported by an ill-fated expedition of white settlers. That bite endows Good Stab with supernatural powers of healing and regeneration, but also a voracious thirst for blood, which he slakes by preying on the white hunters ravaging the frontier through their profligate slaughter of buffalo herds. Good Stab’s horrifying ordeal offers a dark window into the history of conflict between America’s Indigenous inhabitants and its white colonizers, with Jones incorporating details of the real-life Marias Massacre of Blackfeet by the U.S. Army into the plot. Jones heightens the impact of the massacre’s recounting through Good Stab’s narrative voice, whose easy incorporation of lore and myth into his vernacular makes the supernatural seem believable. It’s a remarkably well-wrought work of historical horror that will captivate Jones’s fans and newcomers alike. (Mar.)

King of Ashes

A Virginia man is sucked into a brutal drug syndicate in this fitfully inspired crime novel from bestseller Cosby (All the Sinners Bleed). After a long absence, Atlanta finance manager Roman Caruthers returns home to Jefferson Run, Va., where his father is in a coma after a suspicious car accident. When the accident gets linked to his younger brother Dante’s drug dealing, Roman offers his financial expertise to the Black Baron Boys, a gang led by brothers Torrent and Tranquil Gilchrist, who are as inclined to murder Dante as to let Roman help settle his several-hundred-thousand-dollar debt. Engaging with criminals sets Roman on a path of escalating violence that builds to a tragic, near-Shakespearean crescendo. Meanwhile, Roman and Dante’s sister, Neveah, reinvestigates the still unsolved disappearance of their mother a decade earlier. En route to the novel’s tragic finale, Cosby hits some off notes: Roman’s passage from rescuer to aspiring kingpin is almost too smooth, his growing appetite for violence is overplayed and undermotivated, and the book’s unyielding nihilism can feel more suffocating than powerful. Still, Cosby continues to excel at evocative scene-setting and drawing richly detailed portraits of rural Black family life. This is best suited to the author’s devoted fans. Agent: Josh Getzler, HG Literary. (June)

Mark Twain

Bestseller Chernow (Grant) again proves himself among his generation’s finest biographers with this magisterial account of the life of Mark Twain (1835–1910). Recounting Twain’s Missouri upbringing, Chernow suggests that the writer’s humor and antipathy toward authority developed in opposition to his father, a stern county judge “who discovered no charm in [Twain’s] juvenile antics.” Chernow sheds light on the making of Twain’s classic works, describing, for instance, how he was ambivalent about The Adventures of Huckleberry Finn and even contemplated burning the unfinished manuscript before completing it in a burst of creativity that saw him churn out 4,000 words per day. Highlighting less well-known aspects of Twain’s life, Chernow discusses the development of Twain’s political outlook in his early 30s while working as private secretary to a Republican senator from Nevada, and his impassioned condemnation of the mistreatment of Chinese immigrants in articles throughout his career. Chernow’s razor-sharp portrait offers nuanced explorations of Twain’s many contradictions—noting, for instance, that Twain condemned Gilded Age barons as greedy even as he almost single-mindedly sought to amass his own fortune—as well as unvarnished assessments of his flaws, which, in Chernow’s telling, included surrounding himself with 10- to 16-year-old girls, whom he regarded as his “pets,” after his wife’s death. Amply justifying the considerable page count, this stands as the new definitive biography of the revered author. Agent: Melanie Jackson, Melanie Jackson Agency. (May)

A Marriage at Sea: A True Story of Love, Obsession, and Shipwreck

Journalist Elmhirst debuts with an enthralling story of survival. In spring 1973, a British couple felt their sailboat shudder as a flailing, dying whale punched a hole in its hull. Months earlier, Maurice and Maralyn Bailey had sold their possessions, abandoned “suburban domestic stress,” and embarked in their sloop Auralyn for a new life at sea. Maurice—an odd, prickly perfectionist—wanted to sail “by the stars,” so the boat had no radio transmitter. As the Auralyn sank, the couple scrambled onto a tiny inflatable raft with what food and water they could grab. Maurice despaired; Maralyn—a pretty, confident go-getter—was sure they’d be rescued. And they were, but only after 118 days adrift, during which they bludgeoned sea turtles to death, slurped water from fish eyes, caught sharks with their bare hands, and watched multiple ships sail past without noticing them. Maralyn’s iron will kept them alive, through her implementation of routines and innovations like safety pin fishhooks. The grisly details of survival are narrated by Elmhirst with vivid immediacy, and her handling of the lead-up and the aftermath are equally fascinating—including the couple’s post-rescue celebrity (when they were frequently asked to climb into their raft for photo shoots) and the surly Maurice’s alienation of everyone but his wife ahead of their even more self-isolating trip. It’s an un-put-downable saga of a relationship pushed to the limits. (July)

Rosarita

In this provocative if underdeveloped offering from Desai (Fasting, Feasting), an Indian woman studying Spanish in Mexico learns her late mother took a similar path many years earlier. While on a park bench in San Miguel de Allende, Bonita is approached by an older woman named Victoria, who calls her an “Oriental bird” and says she looks just like her mother, Rosarita. Bonita initially disbelieves Victoria when she claims Rosarita came to San Miguel many years ago to study art, and that Victoria met her in the very same park. Though Bonita knows nothing about her mother’s travel or interest in art, she later remembers a pastel sketch of a woman on a park bench that could have been from San Miguel and considers how her mother might have sacrificed her art to raise a family. Driven to know more, Bonita finds herself running into Victoria again and again (“Could she, like a wizard or a magician, bring your mother to life again even if it is a life you never knew or suspected?” Desai writes). As Bonita follows in Rosarita’s footsteps to Colima and La Manzanilla, intriguing questions are raised, but Desai merely skims the surface of her protagonist’s emotions. This will leave readers wanting more. Agent: Peter Straus, RCW Literary. (Jan.)

The Sirens’ Call: How Attention Became the World’s Most Endangered Resource

In this expansive account, MSNBC host Hayes (A Colony in a Nation) argues that attention is the most valuable and exploited resource in the world today. Opening with Homer’s vivid image of Odysseus strapped to his ship’s mast to avoid the sirens’ alluring song, Hayes portrays the modern economy as a battle of wills between individuals’ private psyches and global powers that usurp attention to “command fortunes, win elections, and topple regimes.” Casting a wide net that encompasses philosophers, media theorists, psychologists, and classic literature—from Plato, Kierkegaard, and Marx to David Foster Wallace and Arthur Miller—Hayes unpacks how attention is both a force integral to survival and a resource so sought after that it has become like “gold in a stream, oil in a rock.” Some of the most relatable and amusing anecdotes come from his own life—like his admission that he has devoured “hours of videos of carpet cleaners patiently, thoroughly, lovingly shampooing old dirty rugs.” Hayes’s final thoughts are shrewd if a bit diffuse: he lauds the group chat as “the only truly noncommercial space we have today,” pinpoints Donald Trump and Elon Musk as some of the world’s biggest attention-grabbers, and suggests the (rather unlikely) possibility of “a mandatory, legislated hard cap on” daily screen time. The result is a savvy, if somewhat free-form, meditation on the modern attention economy. (Jan.)

Who Is Government?

The bestselling author pulls together essays by writers ranging from W. Kamau Bell to Sarah Vowell about people who work in various parts of the government.